Angelwings Ravenclaws

mediumaevum:

Plan of Rome
from
Les très riches heures du Duc de Berry

mediumaevum:

Plan of Rome

from

Les très riches heures du Duc de Berry

mediumaevum:

Birth of purgatory

Medievalist Jacques Le Goffdefines the “birth of purgatory”, i.e. the conception of purgatory as a physical place, rather than merely as a state, as occurring between 1170 and 1200. Le Goff acknowledged that the notion of purification after death, without the medieval notion of a physical place, existed in antiquity, arguing specifically that Clement of Alexandria, and his pupil Origen of Alexandria, derived their view from a combination of biblical teachings, though he considered vague concepts of purifying and punishing fire to predate Christianity.

While the idea of purgatory as a process of cleansing thus dated back to early Christianity, the 12th century was the heyday of medieval otherworld-journey narratives such as the Irish Visio Tnugdali, and of pilgrims’ tales about St. Patrick’s Purgatory, a cavelike entrance to purgatory on a remote island in Ireland. The legend of St Patrick’s Purgatory written in that century by Hugh of Saltry, also known as Henry of Sawtry, was “part of a huge, repetitive contemporary genre of literature of which the most familiar today is Dante’s”; another is the Visio Tnugdali.

Other legends localized the entrance to Purgatory in places such as a cave on the volcanic Mount Etna in Sicily. Thus the idea of purgatory as a physical place became widespread on a popular level, and was defended also by some theologians.

image: Image of a fiery purgatory in the Très Riches Heures du Duc de Berry

sisterwolf:

Marla Western
via Ministère de la culture

sisterwolf:

Marla Western

via Ministère de la culture

artemisdreaming:

Portrait of Simonetta Vespucci, 1490, Musée Condé
Piero di Cosimo 
.
Portrait of Simonetta Vespucci is the title some individuals have given to a painting by the Italian Renaissance painter Piero di Cosimo. Dating from circa 1490, it may portray Genoese noblewoman Simonetta Vespucci (as Cleopatra with an asp around her neck). Yet how closely this resembles the living woman is uncertain, partly because if this is indeed a rendering of her form and spirit it is a posthumous portrait created about fourteen years after her death. Worth noting as well is the fact that Piero di Cosimo was only fourteen years old in the year of Ms. Vespucci’s death. The museum that currently houses this painting questions the very identity of its subject by titling it “Portrait of a woman, said to be of Simonetta Vespucci”, and stating that the inscription of her name at the bottom of the painting may have been added at a later date. wiki

artemisdreaming:

Portrait of Simonetta Vespucci, 1490, Musée Condé

Piero di Cosimo 

.

Portrait of Simonetta Vespucci is the title some individuals have given to a painting by the Italian Renaissance painter Piero di Cosimo. Dating from circa 1490, it may portray Genoese noblewoman Simonetta Vespucci (as Cleopatra with an asp around her neck). Yet how closely this resembles the living woman is uncertain, partly because if this is indeed a rendering of her form and spirit it is a posthumous portrait created about fourteen years after her death. Worth noting as well is the fact that Piero di Cosimo was only fourteen years old in the year of Ms. Vespucci’s death. The museum that currently houses this painting questions the very identity of its subject by titling it “Portrait of a woman, said to be of Simonetta Vespucci”, and stating that the inscription of her name at the bottom of the painting may have been added at a later date. wiki